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However, in Pure Design practice, all decisions had to be not only communicated, but very often formally transmitted as an assignment to the site-based agency. In the combined practice of Design and Execution, the need for a documented scheme was never very acute, as decisions immediately turned into actions. The physical distancing of a studio from the site also detached the Design and Execution aspects of interior practice. The studio was a fixed location facility where Interior designer was able to meet clients, suppliers and crafts-persons.

It contained samples of materials and catalogues.

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The studio was used for creating drawings, sketches, other presentations, models, pilots, prototypes, dummies, cartoons (replicas of artwork in full size), samples, etc. Design Studio: The Interior designer now operated from a Design office or Studio, usually located in an urban area.

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Play a very active role of a professional interior designer rather than being simply a site bound interior contractor. Once the first objective was achieved without being continuously present on the site, it was possible for the Interior-in-charge person to devote more time and attention to the second objective. It showed the user or client, in advance, the solution, in a representative form -a surrogate. It helped creation of a functional system by coordinating skills, materials and objects, sourced from different agencies. Interior decoration became a well-documented strategy, serving two basic purposes. The interior decorator now even offered comprehensive design solutions with alternatives to their clients. Interior Decorator to Interior Designer: Interior decorators worked as a facilitator, scheduling and coordinating the activities, while supervising the quality of various vendors. Interior Decorator was neither a variant, nor subservient to the architect. Interior Decoration, was a service for the buildings, but always was distinct from the Architecture or Building Engineering. Later all these services were handled by a person, the Interior Decorator. Many crafts-persons like, Iron smiths, Guilders, Glass blowers, Weavers, Embroiders, Rug and Carpet makers, Sculptors, Mural makers, were associated with the Decorator, as jobbers and suppliers.

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The painters known as Decorators, worked along with their associates, to not only paint but undertake repairs, make furniture and update furnishings. During early middle ages, or perhaps even earlier, low-skilled ‘Art -Painters’ were hired to paint and decorate old buildings inside and outside. Architects or Building Engineers are unavailable, or have no income incentive for such ‘frivolity’. However, buildings last for ages and during the lifespan, must be altered and updated several times. Buildings and Design Interventions: A building once constructed is initially readied for occupation by the original designer. In future many other skills may also emerge from Interior Design.

In recent years many other design skills like Urban Design, Town Planning, Mass or Public housing, Landscape architecture, etc. Interior Design as a result has certain affinity to Architecture. All these skills deal with buildings using many common materials and techniques. Interior Design as a Skill Branch: Building Engineering was the pioneer design field out of which many specialities like Architecture, Civil Engineering and Interior Designing have separated. INTERIOR DESIGN PRACTICE AND OFFICE MANAGEMENT SECTION 1 Interior Designer Professional Clients Client & Professional Meet Committing a Client for Job Contract Arbitration Data from client Project Reports Styles of Practice Fees and Billing Documents in Design Offices Tenders Estimating Interior Design Jobs Assessment of Projects Cost and Value

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